Bi Yuan Cheng is a seeker of the truth. Not truth in facts, but in feeling; not in evidence, but in experience. His pursuit as an artist is to convey the world as he sees it and share its impact with the viewer, to impart the sense of wonder it brings to him. “I always think if you do art, it has to come from your heart, from your inside world. That makes it really true,” he says.
He was an artist from day one. Born in 1957 in Jinan, China, as a boy of six, Bi could often be found sitting at the side of the road with pencil and paper, sketching the passing cars or bicycles. “It just came naturally,” he says.
His interest and aptitude did not go unnoticed by his mother, a homemaker, or his father, an architect. By the time he was in grade six, Bi was spending every Sunday with a prominent watercolour artist, a friend of his father’s. “I would do a lot of painting during the week, and on Sunday I would go to his house, bring him the paintings, and he would look at each painting,” Bi recalls fondly. He would give feedback to young Bi, who would return home to apply the advice for the next week’s work. Working in the western style, the man had an immense impact on Bi as a teacher and mentor; he died in 1995. “I still miss him so much,” he says…
Continue reading in the November/December 2017 issue of FOCUS Magazine (Article by Aaren Madden)